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Where to See Leonardo da Vinci

Leonardo da Vinci's surviving paintings are spread across Florence, Milan, Paris, Rome, Saint Petersburg, Kraków, Washington and Munich. Fewer than twenty fully autograph panel paintings exist, making each location significant. This page maps every major site where you can stand in front of a Leonardo: the Uffizi's Annunciation, Milan's Last Supper, the Louvre's five panels including the Mona Lisa, the Vatican's unfinished St. Jerome, and others.

Use the interactive map below to locate each work, then follow the city pages for Florence, Milan and Paris for detailed visit planning, room-by-room guides and booking advice.

Detail from Leonardo da Vinci's Annunciation at the Uffizi, Florence

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Where to see Leonardo: key museums and sites

ⓘ Opening hours and admission prices listed on this page are indicative and subject to change. Always verify current information on the official website of each venue before your visit.

Galleria degli Uffizi, Florence

Room 35, second floor – book at least 1 week ahead in high season

Two essential early works hang here. The Annunciation (c. 1472 – 1475) is one of Leonardo's first independent paintings, notable for its careful botanical rendering and atmospheric perspective in the background landscape. The Adoration of the Magi (1481, unfinished) reveals his revolutionary compositional method: a swirling crowd of figures radiating from the Madonna and Child, left as a brown-toned underpainting when Leonardo departed for Milan. The unfinished state makes visible his layering process, from geometric perspective lines to expressive gestural figures. The same room includes the Baptism of Christ by Verrocchio, where Leonardo painted the kneeling angel on the far left (his earliest identified contribution to a painting).

Book Uffizi ticketsUffizi guided tour

Cenacolo Vinciano (Santa Maria delle Grazie), Milan

Refectory, ground floor – book 2 – 3 months ahead; 15-minute timed visits only

The Last Supper (1495 – 1498) occupies the entire end wall of the refectory. Leonardo painted it using an experimental oil-and-tempera technique on dry plaster (not true fresco), which began deteriorating almost immediately. The current state is the result of Pinin Brambilla Barcilon's 21-year restoration (completed 1999), which removed centuries of overpainting to reveal Leonardo's original colour and spatial illusion. Only 25 visitors are admitted every 15 minutes. The entrance is on Piazza Santa Maria delle Grazie; arrive 15 minutes before your slot.

Book Last Supper guided tour

Pinacoteca Ambrosiana, Milan

Room 2 – no advance booking usually required

The Portrait of a Musician (c. 1485) is the only Leonardo male portrait to survive on panel. It shows a young man holding a sheet of music, with the face highly finished and the clothing left in a rougher state. The Ambrosiana also holds pages from the Codex Atlanticus (the largest collection of Leonardo's drawings and writings), displayed in rotating exhibitions in the Federiciana rooms downstairs.

Book Pinacoteca Ambrosiana tickets

Castello Sforzesco, Milan

Sala delle Asse, ground floor – check opening status before visiting

The Sala delle Asse is a vaulted room decorated by Leonardo (c. 1498) with an illusionistic canopy of interlaced mulberry branches and roots painted across walls and ceiling, commissioned by Ludovico Sforza. The room has undergone extensive restoration cycles. When open, it offers a rare example of Leonardo's decorative and architectural painting.

Book Castello Sforzesco tickets

Musée du Louvre, Paris

Denon Wing, first floor (Rooms 710 – 711) – book online, arrive early morning or after 15:00

The Louvre holds five Leonardo paintings, the largest concentration anywhere. The Mona Lisa (c. 1503 – 1519) hangs behind glass in the Salle des États (Room 711). In adjacent rooms of the Grande Galerie (Room 710): the Virgin of the Rocks (Louvre version, c. 1483 – 1486), the Belle Ferronnière (c. 1490 – 1497), the Virgin and Child with St. Anne (c. 1503 – 1519), and St. John the Baptist (c. 1513 – 1516). Viewing all five requires moving between Room 711 and the Italian painting galleries in the Grande Galerie. The Virgin and Child with St. Anne is particularly important for its pyramidal composition and sfumato modelling; the St. John the Baptist represents Leonardo's late style at its most distilled, with figure emerging from near-total darkness.

Book Louvre guided tour

Vatican Museums, Rome

Pinacoteca Vaticana, Room XII – included in general Vatican ticket

The unfinished St. Jerome in the Wilderness (c. 1480) is a monochrome underpainting on walnut panel showing the penitent saint kneeling before a crucifix, with a lion at his feet. The anatomy of Jerome's neck and shoulder is remarkably precise, reflecting Leonardo's dissection studies. The panel was cut into two pieces at some point and reassembled; the join is still visible. Room XII also displays Raphael's Transfiguration and Caravaggio's Deposition, making it one of the most important single rooms in Rome.

Book Vatican Museums ticketsVatican guided tour with Sistine Chapel

Palazzo Vecchio, Florence

Salone dei Cinquecento – accessible with Palazzo Vecchio ticket

The vast Salone dei Cinquecento is where Leonardo began (and abandoned) the Battle of Anghiari (1505), a monumental wall painting that was never completed and is now lost beneath Vasari's later frescoes. Diagnostic investigations have searched for traces beneath the existing surface. While no Leonardo painting is visible today, the room itself is the site of the most famous lost work in Renaissance art, and understanding it adds depth to any Leonardo itinerary.

Book Palazzo Vecchio tickets

National Gallery, London

Room 66 – free admission, no booking required

The London Virgin of the Rocks (c. 1495 – 1508), the later of the two versions, hangs in Room 66. It differs from the Louvre version in lighting, finish, and the addition of haloes and the Baptist's cross-staff (likely by assistants). The Burlington House Cartoon (c. 1499 – 1500), a full-scale charcoal and chalk drawing of the Virgin and Child with St. Anne and St. John the Baptist, is displayed nearby. This is one of the finest surviving Leonardo drawings of monumental scale.

National Gallery London guided tour

Hermitage Museum, Saint Petersburg

Leonardo Hall, second floor of the Large Hermitage

The Benois Madonna (c. 1478 – 1480) and the Madonna Litta (c. 1490, with significant workshop involvement, possibly Giovanni Antonio Boltraffio) are displayed together. The Benois Madonna is notable as one of Leonardo's earliest independent works, showing a young Virgin offering a flower to the Christ Child with a naturalism that breaks from the stiff Florentine conventions of the 1470s.

Visit the Hermitage Museum website

Other notable locations

Smaller collections with single Leonardo works

Alte Pinakothek, Munich: Madonna of the Carnation (c. 1478 – 1480). National Gallery of Art, Washington: Ginevra de' Benci (c. 1474 – 1478), the only Leonardo painting in the Americas. Czartoryski Museum, Kraków: Lady with an Ermine (c. 1489 – 1491), a portrait of Cecilia Gallerani painted during Leonardo's first Milanese period.

National Gallery of Art Washington guided tour

How to plan a Leonardo trip

Leonardo's surviving paintings number fewer than twenty, which makes a focused itinerary practical. The core challenge is not quantity but access: the Last Supper requires booking months ahead, the Uffizi is crowded in summer, and the Louvre demands strategic timing to see the Mona Lisa without being trapped in a crowd.

  • Florence (1 day): Uffizi for the Annunciation and Adoration of the Magi. Walk to Palazzo Vecchio (5 minutes) for the Salone dei Cinquecento.
  • Milan (1 day): Cenacolo Vinciano in the morning (pre-booked), Pinacoteca Ambrosiana after lunch (10-minute walk), Castello Sforzesco in the afternoon (15-minute walk from Ambrosiana).
  • Paris (1 day): Louvre early morning, targeting the Grande Galerie and Salle des États for all five panels.
  • Rome (half day): Vatican Pinacoteca for St. Jerome, included in the general Vatican Museums ticket.

Main Leonardo clusters

Florence

Uffizi and Palazzo Vecchio

Two early paintings at the Uffizi (Room 35) and the lost Battle of Anghiari site in Palazzo Vecchio's Salone dei Cinquecento. Both are within a 5-minute walk of each other. Tip: book the Uffizi for 8:15 opening to see the Leonardo room before crowds build.

Milan

Cenacolo, Ambrosiana, Castello Sforzesco

Three Leonardo sites within walking distance. Start at the Cenacolo Vinciano (timed morning slot), walk 15 minutes southeast to the Pinacoteca Ambrosiana for the Portrait of a Musician and Codex Atlanticus folios, then 10 minutes north to the Castello Sforzesco for the Sala delle Asse. Practical note: the Cenacolo requires its own separate booking, not included in any city pass. Book Last Supper guided tour.

Paris

Louvre, Denon Wing: five paintings

The world's largest Leonardo painting collection: Mona Lisa, Virgin of the Rocks, Belle Ferronnière, Virgin and Child with St. Anne, and St. John the Baptist. All on the first floor of the Denon Wing. Enter via the Porte des Lions (less crowded than the Pyramid) and head directly to Room 710. Tip: Wednesday and Friday evenings (until 21:45) offer quieter conditions. Book Louvre guided tour.

Best city pages for Leonardo

Florence

The Uffizi holds the Annunciation and unfinished Adoration of the Magi. Palazzo Vecchio preserves the site of the lost Battle of Anghiari. Florence is also where Leonardo trained in Verrocchio's workshop, making it essential for understanding his origins.

Paris

The Louvre's Denon Wing concentrates five Leonardo panels in Rooms 710 – 711, including the Mona Lisa and St. John the Baptist. No other single museum offers this depth of access to Leonardo's evolving sfumato technique.

Open the full ArtAtlas map

See every mapped Leonardo location at once, from Florence and Milan to London, Saint Petersburg, Kraków, Munich and Washington. Filter by city or zoom to a specific region for trip planning.

Read Leonardo on TheIntroverTraveler

Venice canal

Leonardo's Last Supper

An analysis of the Last Supper in the refectory of Santa Maria delle Grazie: the experimental technique, the deterioration, the 21-year restoration, and what you are actually looking at during your 15-minute slot.

The Art of Fresco Painting

Techniques and historical evolution of Italian monumental painting — essential context for understanding why Leonardo deliberately abandoned fresco for the Last Supper, and what that choice cost him.

Leonardo, where fewer than twenty paintings changed everything.

The scarcity of Leonardo's surviving work makes geography essential: every location matters, every surviving panel is a destination in itself. The map connects them — from the Uffizi's early works to the Louvre's five panels, from the deteriorating miracle in Milan to the unfinished St. Jerome in Rome. Start here and plan the route.